Tuesday, February 26, 2013

Letter to the editor March 2013

As we celebrate the magazine of 35th anniversary with this issue, do I know that I have been the editor for more than half of his life! I've got some truly extraordinary experiences and look forward to many more. Here are a few of my favorites. Editor's Letter Julia Child (left) with f & W-editor in Chief Dana Cowin in the food & wine classic in Aspen 1995 "Julia had can be derived from the stage by burly guys, restrained their fans."

Dinner at Jean-Georges Vongerichtens Vong in New York City with F & W Executive Managing Ward editor, Mary Ellen. It is where I discovered that in this job, you wine, an appetizer, an entree, a dessert, even tea can order a bottle! As I grew up, was I more and more as a main dish and water stop.

We go to the House of Julia Child in Cambridge, Massachusetts, with F & W's food editor Tina Ujlaki, Julia's renowned cuisine, for lunch with her go out. The ride to the restaurant was distracted by the sight of Julia at the wheel, drivers unnerving - pass, risking an accident for a better look. Over dessert, Julia said that whenever a chef of their table visited and asked how they liked it after a bad meal, she would smile and say: "We had a nice time" with no comment on the food.

Jacques Pépin in coastal Connecticut to visit. He and his best friend, Jean-Claude Szurdak, picked me up at the station and drove to the beach. Parked, they got out of the car and let the pants. I turned away, but when I turned back, they were in their bathing suits, ready with networks begin to cook small fish for a delicious lunch.

A party at the lodge on AJAX mountain, while the food & wine magazine of classic in Aspen, Colorado. The f & W-team surprised with a five-foot-high cake to my 10 years as editor-in-Chief to celebrate me. After restaurateurs Danny Meyer and Drew Nieporent, the cake into the room on a Dolly, chefs Eric Ripert and Daniel Boulud from the tip popped up.

Explore Singapore while I the top chef judge season 7 was in the city, the final. I have the best tour of hawker is Dave Chang and Gail Simmons with omnivores, spearheaded by k.f. Seetoh, world expert on the local cuisine. He entertained us wars and much more with stories of laksa (noodle soup).

A winter dinner at the Copenhagen Noma - one of my most memorable meals ever - with F & W's restaurant Editor Kate Krader and a few friends. Then we could a taxi to catch. The night was pretty cold and it snows; The hotel was miles away. But be prepared, we refused to go. Luckily a pedicab stumbled through and gave us a midnight tour of the city on the way back "Home."

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Filetto al pepe verde

Vediamo la preparazione di un piatto famosissimo e molto raffinato: il FILETTO AL PEPE VERDE.

In realtà si tratta di una ricetta affatto complicata ed è velocissima!

L’unica cosa a cui si deve fare attenzione è il tempo di cottura del filetto che è molto veloce. Il rischio è quello di far passare di cottura la carne che potrebbe diventare dura.

Utilizziamo il filetto di maiale perchè ci occorre della carne molto morbida. I filetti pesano dai 400 ai 550 grammi e hanno un costo che si aggira intorno ai 10 euro al chilo.

Ovviamente a chi non piacesse il maiale consigliamo il filetto di vitello che tuttavia ha un costo molto più elevato.

E’ perfetto da servire durante una cena, anche se è sconsigliato prepararlo assai spesso in quanto è decisamente calorico.

Vediamo quindi la ricetta


Voto medio 3/5 su un totale di 1 voti. Vuoi votare la ricetta? Metti Mi Piace
1 filetto di maialePepe verde200 ml di panna fresca125 ml di vino bianco o brandysale2 cucchiai rasi di senape15-20 gr di burroTagliare a fette di circa 1,5 cm il filetto. Aggiungere il pepe verde e schiacciare delicatamente per farlo penetrare nella carne

Sciogliere il burro in una padella e sistemare le fettine. Sfumare col vino, salare e lasciare cuocere per 45-60 secondi. Girare le fette di carne e procedere nello stesso modo.

Togliere dal fuoco la carne. Aggiungere al fondo di cottura la senape e la panna. Lasciar cuocere per 3-4 minuti fino al raggiungimento della densità desiderata.

Glassare la carne e servire immediatamente

Ricette che potrebbero interessarti:

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Insider Guide to Dallas Restaurants from Smoke Chef Tim Byres

2012 F&W People’s Best New Chef Tim Byres is the barbecue master behind Dallas’s incredible Smoke, and creator of Chicken Scratch and The Foundry—a fried chicken joint and beer garden that share a backyard and offer live music on weekends. Here, Byres reveals where to eat, drink and shop in his city, from a truck stop taco joint to a cigar bar with an Ernest Hemingway feel. Chef Tim Byres of Smoke.

“El Ranchito is a great place to see legitimate family-style Texas Mexican food. No one speaks any English, there’s an abuela (“grandmother”) in the corner making fresh tortillas and they also have mariachis. It’s a cool, old-timey kind of thing. They serve awesome cabrito, a roast baby goat leg meant for four. It comes out on a little hibachi thing with fresh tortillas and rancho beans, so you can build your own roast goat meat tacos.” elranchito-dallas.com

“This local pizza place is in a cool old building in the Bishop Arts District, which is a really awesome neighborhood in west Dallas. It has this almost Brooklyn kind of feel. They do wood-burning oven pizzas and nice salads and pastas. There’s also a fun upstairs bar where you can eat.” enospizza.com

“Lucia is also in Bishop Arts. It’s a great little Italian restaurant where everything is handmade and awesome, like pastas and salumi. It’s real small and pretty much booked all the time. David Uygur and his wife, Jennifer, run the place; he’s the chef, and gets lots of acclaim for the high integrity of his food.” luciadallas.com

“The chef-owners here, Raul and Olga Reyes, are from Veracruz. It’s kind of a Mexican seafood restaurant; they do this awesome crab soup with a whole blue crab in it, shell and all. You’ve got to roll up your sleeves for that one. They also do ceviche, and dishes with high acidity and bright flavors that reflect the cuisine’s Caribbean influence.” mesadallas.com

“This place is in the north end of downtown, in the Arts District. The restaurant is amazing: Teiichi Sakurai, the owner and chef, makes world-class handmade soba noodles. He’s been in the restaurant business in Dallas for like 25 years. Whatever he makes is always great; he has traditional training but does things unorthodox and his way, like a sweet soba dumpling with black honey for dessert. The restaurant has a sophisticated feel: You could bring someone from New York or Chicago and they’d feel at home.” tei-an.com

“West of downtown there’s this massive truck stop, gas station and taqueria that’s renowned for the best tacos around. They have a pool where you can swim, a drive-through beer barn and a huge car wash. And there’s this field behind it with longhorn bulls. It’s pretty wild. They serve tacos 24 hours a day, which is really cool if you’ve been out drinking late at night. It’s crazy, always busy, busy, busy. They do stuff like lengua and barbacoa—it’s not a gringo thing.” fuelcity-tacos.com

“They still have soda jerks at this old-school pharmacy. My kids will go in there and get a grilled cheese sandwich and milk shakes and malts.” highlandparksodafountain.com

“In this east Dallas neighborhood called Lakewood there’s a vegetarian restaurant in the Hare Krishna temple. It’s really cool because it has a changing vegetarian buffet and the food’s always great—real sharp, spicy Indian. They also serve this pretty amazing tamarind punch: It’s almost like a tea. You feel like you need to be quiet and soulful because it’s in the middle of a temple. I don’t think a regular tourist is going to find that.” kalachandjis.com

“The Texas Theatre is where Lee Harvey Oswald was arrested after he shot JFK. It’s been reopened as an independent movie house and has a really cool bar. There’s always a record player going, playing stuff like Tom Waits. There are indie, too-cool-for-school types of kids in there, but the theater’s awesome. Barak Epstein, the guy who runs it, is just a cool guy who gets it.” thetexastheatre.com

“Belmont is actually attached to Smoke, and it has the best views of downtown in the city. It’s great for a happy hour situation.” belmontdallas.com

“This is kind of like the grand old lady of Dallas. I used to work there, and the bar is awesome. You go in and it’s like, wow, all these big money deals have gone down here for generations. Everyone’s in a suit, and it’s awesome to sit there with a heavy rocks glass in your hand. The level of service is unmatched; it’s a great adult experience. The building itself has cool features: There’s a wine room in the basement below the bar that seats maybe 15 to 20 people. It’s a private dining room and not a lot of people know about it; you get there by taking a spiral staircase from the lounge. And there’s an elevator that goes up to one of the banquet rooms in the original mansion. It’s where FDR stayed when he was in a wheelchair, so they installed this elevator—it was the only one in the city at the time. So there’s a lot of cool history to the place.” rosewoodhotels.com/en/mansiononturtlecreek

“There’s not a lot happening on the southeast side of Dallas, in the warehouse district, except for this cool cocktail bar from Michael Martensen. I would go there for their fun cocktails. They have a cool menu, too, with dishes like Texas shrimp and grits and Kobe beef meatballs.” thecedarssocial.com

“Over in Fort Worth, our sister city, there’s this really weird cigar and pipe store-slash-wine bar. You can smoke tobacco pipes and hang out. It’s got this Ernest Hemingway hunting den kind of feel.” popssafari.com

“Lula B’s has cool boots and Pendleton wool jackets and Pyrex bowls. Real Americana. It’s also where I buy some buffet stuff for the restaurants.” lula-bs.com

“Neiman Marcus started in Texas and this is the original one. It’s kind of a fancy place; my mom likes to go there when she visits.” neimanmarcus.com

“At this really cool store in the Fort Worth stockyards, they sell handmade boots, Texas-y stuff. You can have an insanely expensive handmade saddle done there.” leddys.com

“This hardware store has been here for about 60 years. They sell tools, camping equipment and guns. Everyone goes to Ray’s, it’s an institution. I don’t own any guns but I value the feel of Ray’s. It’s an interesting place.” rayssportinggoods.com

“This isn’t for everybody, but there’s a cool salvage yard southwest of Dallas where parts of every old building that has been knocked down in Dallas ends up. You can find wood floors and doors and window frames; sconces, chandeliers and doorknobs. It’s a crazy time vault of an experience, a really interesting place.” orr-reed.com

“This is a really fun old lodge from the 1940s. It’s relatively low-amenity but has a lot of coolness. Our restaurant’s in there and the loud and crazy bar is a lot of fun.” belmontdallas.com

“Hôtel St. Germain is a kind of obscure, older house. It’s located right in the middle of everything that’s cool.” hotelstgermain.com

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Yardbird: Hong Kong's Yakitori Visionaries

Yardbird in Hong Kong is ingredient-obsessed (it’s all about chicken), democratic (it doesn’t take reservations) and design-centric (it celebrates skateboard art). And chefs around the world are paying attention. Writer Brook Larmer explains how this little restaurant epitomizes the dining scene of 2013. Featured Recipes Yardbird Hong Kong Yardbird, Hong Kong’s most game-changing restaurant.

Not long after Matt Abergel and Lindsay Jang launched Yardbird, their yakitori restaurant in Hong Kong, the Canadian pair began to notice a curious phenomenon: The raucous crowd of locals and expatriates in the dining room often included a lone man or woman.

As everyone around them ordered rounds of Yardbird’s junmai sake and plates of skewered meat, these solitary diners would quietly sip mineral water. It soon became clear that they were the drivers and maids of Hong Kong tycoons trying to save seats for their bosses, subverting the restaurant’s no-reservation policy. “Maybe it went against the spirit of the place,” Abergel says. “But that was the moment we knew Yardbird had arrived.”

How has a place devoted to the humblest of birds, the chicken, managed to become the most game-changing restaurant in Hong Kong? This is a city of gastronomic excess, after all—a place where no beast is safe from the wok. The restaurant scene here includes hushed Michelin-starred dining rooms with seven sets of cutlery and street stalls where customers gobble down duck and dim sum with a flurry of chopsticks. Yardbird is something different, and when it opened in 2011, it sparked a sort of democratic dining revolution.

The secret of Yardbird’s success begins with Abergel, a 31-year-old who treats chicken on a stick with as much respect as the finest toro. Abergel’s kitchen mantra of mottainai—Japanese for “waste not”—comes from his three years working as a chef at New York City’s Masa. On a recent Friday night, as Yardbird’s sound level rose with the mostly Motown sound track, my table of longtime Hong Kong residents tried yakitori featuring nearly every part of the bird: succulent thighs braised in a savory-sweet, soy-based tare sauce; crackly wafers of skin enfolding plump eringi mushrooms; rich, chewy hearts with ginger and spring onion. And that doesn’t account for the skewers of knee, neck, tail, gizzard and meatball—all from the 50 chickens brought in fresh daily from a farm in Hong Kong’s New Territories. The boldest dish, however, wasn’t chicken at all, despite being called KFC—that stands for Korean Fried Cauliflower, covered in a tangy yuzu-chile sauce).

Along with yakitori, Yardbird has a long and playful drinks menu, with Japanese classics—Nikka whiskey, Hitachino beer—plus homemade brews such as coffee-infused shochu and the popular El Chonie, a blend of beer, tequila and lime in a glass rimmed with yuzu salt.

The laid-back Abergel, who first met Jang in a Calgary skateboarding shop when they were teenagers, downplays his food. “We’re just trying to cook simple, tasty dishes that our four-year-old daughter would love,” he says. Still, his fellow chefs rave. “Yardbird is an amazing restaurant,” says Chris Cosentino of San Francisco’s Incanto, who ate his way through the menu on a visit last year. “What Matt has done is make a very serious food restaurant with some very serious fun.”

For Hong Kong residents accustomed to surly waiters, Yardbird’s rarest offering may be its enthusiastic staff. Jang, who grew up helping out in her father’s Chinese restaurant and later worked as floor captain at New York City’s Nobu 57, says the key was to eliminate Hong Kong’s ubiquitous service charge—which often goes into owners’ pockets—and to inspire staff with pooled tips. My group’s waiter was an engaging 21-year-old named Abu. Born and raised in Hong Kong of Malian and Mauritian parents, Abu not only guided us through the menu, he described how the breastbone is ground into the meatballs to make them crunchy—and, if called upon, he could give that description in four languages.

Yardbird has become a magnet for creative types, as well, as it is located in Hong Kong’s hippest emerging neighborhood: a cluster of quiet streets lined with funky shops selling pastries, teas, art, even wigs, in the city’s Sheung Wan district. “We always wanted to help build a community here,” Jang says. “But we didn’t know it could happen so fast.”

Yardbird has already inspired both collaborators (artist Cody Hudson designed its new sake bottle) and followers (a half-dozen new restaurants in Hong Kong have also eliminated service charges and reservations). Now it has a successor. In January, Abergel and Jang, who are no longer a couple but remain business partners, opened a 14-seat bar called Ronin, serving cocktails, Japanese whiskies and beers with okashi, or snacks, plus some larger dishes. They are expanding on the success they found opening a restaurant that’s revolutionary in Hong Kong, but increasingly familiar in America: one that focuses on delicious food, great service, democratic policies, a spirit of collaboration and, most importantly, as Jang says, a sense of community.

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Sherry on Top

Improbably, this oft-maligned Spanish wine is having its trend moment. F&W’s Ray Isle, a huge fan of the good stuff, hits London’s hip new sherry bars to learn why. Sherry on Top F&W’s Ray Isle hits London's hip new sherry bars and shares his top five bottles.

On a recent trip to London, I ordered a glass of sherry at Morito, the pint-size tapas-bar offshoot of the acclaimed Exmouth Market restaurant Moro. When he heard my order, my server—a bearded twentysomething kid who exuded cool like a fog—raised his fist. Right on, man. Sherry power. “Sherry,” he said, with a nod of approval. I asked him if he drank sherry himself. He glanced at me and said, “Not before I started working here. Now I love it.”

In the past few years, trendsetters like him have caused a minor explosion of sherry bars in London. These are places like Capote y Toros in Kensington, where the wine list offers seven pages of sherries; Trangallán, hidden away in north London’s Stoke Newington neighborhood, which supplements a deep sherry list with occasional all-sherry pairing dinners; and Barrica, in the Fitzrovia neighborhood, which helped kick off the trend in 2009.

At José, chef José Pizarro’s perpetually jammed tapas bar in Bermondsey (a short walk away from the foodie-mecca Borough Market), about 40 percent of all the wine sold is sherry, according to Pizarro. If you consider that the place serves more than 1,600 people each week (and only seats 17), that means something like 33,000 people a year—a number more or less equivalent to the entire population of Monaco—are wandering in and asking for sherry. “And they’re young people,” Pizarro says happily.

Given that sherry hasn’t been fashionable since the late 1700s or so, that’s quite a statement. But in London—and to some degree at restaurants in the US run by forward-looking sommeliers—sherry is having its moment.

It’s about time. Sherry, which is made in the Jerez region of southern Spain, near the city of Jerez de la Frontera, is one of the world’s great wines. It’s also, without a doubt, the most underrated. People tend to think of it as creamy and sweet, but in fact, most good sherries are dry—even extremely dry—and their savory, umami-rich flavors make them extraordinary partners for all kinds of food.

Sherry starts life like any other wine, as fermented grape juice. But after that, the winemaker increases its alcoholic strength by adding a small amount of grape brandy and setting it down one of two paths. Sherries that are “biologically aged,” which include the light-bodied, pale yellow manzanillas and finos, are fortified to about 15 percent alcohol. As they age in barrels, a layer of yeast called flor begins to grow on the surface of the wine. Over time, the flor protects the wine from oxidation and imparts a distinctive, saline-herbal aroma and flavor.

The other kind of sherry is “oxidatively aged,” such as olorosos. These are fortified to 17 percent alcohol or higher, which prevents the flor from developing. As the wine ages in the barrel, it is exposed to oxygen, growing darker in color, becoming rounder and more full-bodied, and taking on nutty and caramelized notes.

There are innumerable variations on these two basic sherry styles: amontillados, which start life under a veil of flor and then, after it dies off, deepen in hue and become intensely nutty; palo cortados, which are a kind of mysterious hybrid of the two styles; and so on.

Another key thing to know about sherry is the way it is aged over time in oak barrels, with a method called the solera system. To understand it, imagine you have three barrels of wine: a dusty old barrel (filled with very nice old wine), a middle-aged barrel and a barrel filled with young wine. Every time you take some wine from the oldest barrel, you fill that barrel back up to the top with wine from the middle-aged barrel; then you fill that barrel up to the top with wine from the youngest barrel. With each new harvest, you add another barrel, so that eventually, when you take wine from the oldest barrel, you are actually taking wine that’s a complex blend of many wines of different ages. This is essentially how a sherry solera works—though in a major bodega in Jerez, it may involve hundreds or even thousands of barrels, a kind of jigsaw puzzle of time and wine. That’s why even affordable sherries can be incredibly complex. (For anyone who wants to delve into all this and become a full-on sherry geek, arguably the single best book ever written on sherry was published last October: Sherry, Manzanilla & Montilla, by wine critic Peter Liem and Jesús Barquín, the owner of the cult sherry bodega Equipo Navazos in Jerez.)

People in the wine business have known for years that sherry is both great and sadly overlooked. So why are London restaurant-goers suddenly interested? I asked Tim Luther, the owner and wine director of Barrica, one of the first of the new wave of sherry bars. He said, “When we opened in 2009, every time people would ask what they should have to start, we’d say, ‘Have a sherry.’ And they’d look a bit puzzled and say, ‘That’s what my great-aunt drinks at nine in the morning. Medicine, she calls it.’ And I’d say, ‘Manzanilla, with some almonds, some jamón—trust me.’ And eventually, the people who took the plunge would come back and ask, ‘What was that sherry I had? I’ll have that again, thanks.’?” One could call this the “proselytizers can change the world” approach (which is essentially the same way American sommeliers have managed to convince people that Riesling is cool, too).

On the other hand, there’s also the “blame it on the pig” theory of sherry popularity, which was offered to me by Tabitha Money, one of the managers at Morito. Three or four years ago, she explained, pork scratchings (chicharrónes in Spanish, or fried pork rinds if you’re from Texas, like me) became an incredibly popular bar snack in London, particularly at “cool” restaurants. “So people like Mark Hix”—one of the star chefs of traditional English cuisine—“started serving fino with them,” she said. “And then sherry took right off.”

Whatever the reason, there’s no question that the vibe surrounding sherry has changed. That was clear at every place I visited in London, most of all on one of my last nights there. Trangallán is a laid-back restaurant that doubles as a movie and music venue, where every piece of furniture as well as most of the art on the walls is for sale. I found myself sitting there late at night, after the restaurant had closed, surrounded by an eclectic group of new friends—an art-magazine editor, a young Belgian woman who is the exhibition manager for the architect Zaha Hadid, a random couple over from Paris for a visit, and the restaurant’s infectiously sherry-mad wine director, Xabier Alvarez. Outside it was black and misty; inside it was dim and warm. We were, of course, drinking sherry. “Have you had the Tres Palmas before?” Xabi asked me. “You’ve never had Tres Palmas? From González Byass? Oh—that is extraordinary sherry. You must have it!” And before I could even agree that yes, that sounded like an excellent idea, he disappeared downstairs to find a bottle.

Top London Sherry Bars

One of the world’s most popular sherries, this fino is also very good: dry, balanced and crisp, with a light minerally tang. Look also for the limited-production, unfiltered En Rama bottling (#25), which is more intense and exotic.

Medium-gold in hue, Dios Baco’s basic fino has a more substantial mouthfeel than Tio Pepe does, with a round, lush texture and distinctive, savory almond and yeasty notes. It would be ideal with main-course fish or shellfish dishes.

Manzanillas come from the seaside town of Sanlúcar de Barrameda, which is northwest of Jerez. Their aroma—saline and a little briny—shows that influence. The polished bottling from Valdespino is a great example.

Founded in 1830 by a former barrel maker, El Maestro Sierra remains family-owned. Its sherries are uniformly superb; this nutty, citrusy amontillado bottling makes an excellent introduction to the bodega’s house style.

Equipo Navazos is an exciting new project, bottling limited-edition sherries of extraordinary quality identified by number (e.g., La Bota #35) and priced from $35 to $145 or so. Truly unique, they are well worth seeking out.

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Monday, February 25, 2013

5 Crimes Against Coffee

Blue Bottle Coffee shops in San Francisco and New York are famous for serving phenomenal house-roasted coffee, prepared using meticulous methods. But founder James Freeman maintains that if home brewers just avoid common mistakes, it doesn’t take much to brew a great cup at home. “People think it’s so hard and difficult, but just a few simple things can really make a big difference,” he says. Here, Freeman explains how to bypass the five worst crimes against coffee. Given his perfectionism, chances are you’re committing several of them. James Freeman on 5 Crimes Against Coffee Blue Bottle Coffee founder James Freeman. Photo © Clay McLachlan/ ClayPix.com.

“Make sure you choose a coffee with a roast date, not a ‘best by’ date. Preferably, that date should be no longer than a week ago. Then use it up, share it with friends, or buy smaller bags so you move through it quickly. Sometimes lightly roasted coffee can be good for a couple of weeks after opening, but in general, fresher is better.”

“Buy whole-bean coffee. Ground coffee gets stale really easily. Buying a grinder just isn’t that hard: It’s not that expensive, and doesn’t take that long. If you’re doing the pulse-and-shake method on a cheapo blade grinder, I think you’re still better off than buying pre-ground coffee that’s been sitting in a bag for a week or God knows how long. And there are better options that are getting cheaper—Hario, Porlex, Zassenhaus and Baratza make some good grinders that are not that expensive.”

“Don’t buy a coffee pot with a plug. If you’re going to make coffee, make it yourself. There’s the symbolic layer: Do you want to entrust something so important to a machine? And then there’s the brass tacks layer, which is that almost every machine doesn’t make very good coffee. I love the shininess, the slipperiness, the cleanness of a good pour-over made with a paper filter or a cloth filter.”

“Don’t rely on your eye, and don’t rely on volumetric measurements—they’re just not accurate. Buy a gram scale and weigh your coffee, weigh your water. You’re going to be so much more in control of your brewing ratio.”

“Don’t buy a national brand if you can help it. We’re lucky enough that a lot of people want to have our coffee shipped, but I think more and more, people are opening up little roasteries and doing interesting things. You’ll be less apt to see coffee as a commodity, and more apt to see it as something that’s precious and has been meticulously cared for, from when it’s grown far away to when it arrives in your cup.”

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Robert Parker on the Past, Present and Future of Wine

By Ray Isle, Robert M. Parker, Jr. Robert M. Parker, Jr., started his influential wine newsletter, The Wine Advocate, in 1978, the same year F&W debuted. Parker has contributed to F&W for decades, filing reports on his beloved Bordeaux and Napa Valley and expounding on new producers, up-and-coming regions, wine trends, prices and much more. Here, he checks in with F&W’s Ray Isle about his past predictions and pronouncements and tells where he got things right—and wrong. Robert Parker on the Past, Present and Future of Wine Wine expert Robert Parker. Photo © Gamma-Rapho/Getty Images Oregon Wine Region

Ray Isle In 1987, you worried that “the continuing obsession with technically perfect wines is stripping wines of their identifiable and distinctive character. It seems to be the tragedy of modern winemaking that it is increasingly difficult to tell an Italian Chardonnay from one made in France or California or Australia.” You added, “Winemakers and the owners of wineries, particularly in America, must learn to take more risks and to preserve the individual character of their wines, even at the risk that some consumers may find them bizarre or unusual.” Looking at things now, did winemaking move away from that trend toward anonymity, or did it continue?

Robert Parker There has been an extraordinary proliferation of wines that did not exist (or their viticultural regions were completely under the radar) in 1987. The diversity of wines today is at least ten- to twenty-fold greater than it was then. Of course, diversity has not only occurred in France’s most famous wine regions, such as Burgundy, Bordeaux and Champagne, but also in less prestigious appellations, particularly in the Rhône Valley corridor, and through the Languedoc-Roussillon corridor to the Spanish border. Add the extraordinary number of different styles of wine emerging from Spain, Southern Italy, Australia, New Zealand, South America and South Africa, and you see it’s a buyer’s paradise. The younger generation of winemakers have returned to their vineyards and terroirs, and are doing a better job of producing more natural, distinctive and singular wines. Keep in mind that in 1987, no one was talking about wines made from either organic or biodynamically farmed vineyards, much less natural wines or unfined and unfiltered wines, or wines that represented the natural essence of their vineyards. This is one of the great breakthroughs that has occurred largely from 1990 onward.

Ray Isle Also in 1987, you wrote, “Western Oregon may well have the finest potential of any viticultural region in the world, outside of Burgundy, to produce great wine from the fickle and temperamental Pinot Noir grape.” Did western Oregon’s wineries fulfill that potential?

Robert Parker Oregon is finally fulfilling its vast potential. Perhaps the catalyst was the arrival of a dramatic number of outsiders, not only from France, but from California and elsewhere, who purchased land and planted Pinot Noir, Pinot Gris and other varietals. Oregon does suffer from the same problem that many marginal climates do: a challenging fall growing season, often plagued by descending low-pressure rain systems from Alaska and Canada. However, as I write this article, 2012 promises to be one of the state’s all-time-great vintages, making up for a bizarre and so-so year in 2011. Oregon has come of age, something that is also reflected in the numerous articles about this idyllic region, which has not yet been spoiled by tourism, high-rise hotels, casinos, art galleries or modern, garish wineries.

Parker worried that an obsession with technical perfection was stripping wines of their distinctive characters. Winemakers, he said, needed to learn to take more risks—even if consumers found the results bizarre.

Today, there is remarkable diversity in wine style, not only in places like France but also in Spain, southern Italy and beyond. The advent of natural wines was also an enormous breakthrough.

Kistler Vineyard Photo courtesy of Kistler Vineyards

Ray Isle In 1990, you chose a number of wineries as California’s rising stars. What are your picks for that honor today?

Robert Parker Of the rising stars I selected in 1990, only Kistler, which continues to be one of the benchmarks for high-quality Chardonnay and Pinot Noir from anywhere in the world, would make the list today. But I’m thrilled by the number of California wineries that have emerged over the last 20 years, fulfilling my expectations that California could produce many world-class wines.

In 1990 Parker named six wineries from around the state of California as rising stars.

Of his original picks, Kistler alone still makes the cut. Parker’s new California additions include DuMOL, Hartford Court, Radio-Coteau, Cliff Lede, Hundred Acre, Verité and Vineyard 29.

The following California wineries could be called up-and-coming, although some of them have already attained stardom. There are others I could include, but the most interesting characteristic of these producers is that, with several exceptions, none were making wine in 1990! —RP


Alban VineyardsBrewer-CliftonSine Qua NonAubertDuMOLHartford CourtMarcassinMartinelliMorlet Family VineyardsPaul HobbsPeter Michael Radio-CoteauRochioliAbreuAraujoBlankietBondBryant FamilyCliff LedeColginDalla ValleDana EstatesDominusFutoHarlan EstateHundred AcreKapcsandyLarkmeadPaul Hobbs Peter MichaelPhilip Togni Pride MountainRudd EstateSchraderScreaming EagleShaferVérité Vineyard 29Bordeaux Wine Labels

Ray Isle In 1998 you wondered, “Just how high could prices soar for [top Bordeaux châteaus’] newest vintages in 2010 or 2020? In 1983, I paid $110 for a case of the extraordinary 1982 Pichon Lalande and $550 for the 1982 Mouton. Those wines begin at $2,500 and $7,000 a case today. It’s not hard to envision the 2009 vintage of Latour being offered as a wine future in 2010 at $10,000 or even $15,000 a case!” Recently, cases of 2009 Latour have been selling for $28,000, a mind-boggling amount to say the least. Can prices go any higher?

Robert Parker Here’s a prediction that looked extreme in 1998, but has proven to be far too conservative. Today, in a great vintage (such as 2009), first-growth Bordeaux sells from between $15,000 and $30,000 a case. My prediction of top Bordeaux being offered as futures for $10,000 to $15,000 a case by 2010 is accurate, but on the low side. We are now in a buyer’s rather than a seller’s market. With a world economy in the doldrums, though, it is possible we could see a major correction in pricing for high-end luxury wines over the near-term. But for now, limited-production wines such as top Bordeaux, Burgundy and boutique California Cabernet Sauvignon sell at remarkably high prices.

Just how high could Bordeaux prices possibly go? Parker wondered in 1998. Could they reach $10,000 a case for first-growth châteaus? Or even $15,000? “It’s not hard to envision,” he wrote.

This prediction—which looked extreme in 1998—turned out to be conservative. Cases of first-growth Bordeaux now sell for as much as $30,000 in a great vintage.

Ray Isle In 2003 you wrote, “Burgundy is, well, Burgundy. A minefield of potential disappointments beloved by elitists and pseudo-intellectuals who like to discuss ad nauseam growers and terroirs—not quality.” Do you feel this is still the case?

Robert Parker In 2003, the rampant premature oxidation of the great majority of white Burgundies was not understood, and consumers had not yet been victimized by this problem. In 2012, the Burgundians have still not addressed this issue. Even worse, they have not determined why their grand cru white wines from hallowed sites are completely falling apart after five to six years of bottle age, when in the past, many of these white wines could evolve and improve for 25- to 30-plus years. Thanks to a more meticulous younger generation, red Burgundies have made improvements, but they, too, are still a minefield, and top vineyard sites are still significantly overpriced. Thankfully, lovers of Burgundian-style Chardonnays have the Mâconnais region, where prices are reasonable and problems of premature oxidation have not surfaced. The less expensive reds from the Côte de Beaune also remain reasonably good values. The future still looks mixed, but I am optimistic that the younger generation of vignerons, who understand the competition that now exists, signifies that an era of preserving the status quo and careless farming and winemaking can no longer continue.

The future of Burgundy looked bleak to Parker in 2003. “Burgundy is a minefield of potential disappointments beloved by elitists and pseudo-intellectuals,” he wrote.

There are still plenty of problems with Burgundy, Parker says. But he’s now feeling guardedly optimistic, largely thanks to the rise of a “younger generation of vignerons” who are determined to upend the status quo.

Puglia, Italy

Ray Isle In 2004, you predicted the total collapse of the three-tiered system of wine distribution in the United States, which makes it difficult for wineries to sell directly to consumers in many states, requiring them instead to sell to a wholesale middleman. You said, “I believe [that collapse] will be possible by 2015.” Do you still think the three-tier system will disappear?

Robert Parker Probably the most distressing prediction I made in 2004 was that one, because it is apparent that this system will be around in some form or another for as long as most of us are likely to live. The people behind the system, the beer-and-liquor wholesalers, simply have too much political power with local legislators, and can marshal enormous financial support to lobby for their interests. The system continues to be inefficient and anti-consumer, and it needs to be modified. However, some states have loosened their grip on this antiquated, medieval system of distribution, which has never served the interests of the wine consumer.

Ray Isle In 2004 you also predicted that screw caps would be standard for the world’s wines by 2015. What are your thoughts now?

Robert Parker One significant change I thought might occur was that cork-finished wines would be a minority by 2015. Statistically, this may be the case with some wines from Australia and many from New Zealand, but screw caps have made few inroads in Western Europe or the US. And to the credit of the cork industry, the plague of moldy, contaminated and badly finished corks that reached its zenith in the mid-1990s has been reversed. The cork industry seems to have realized that it must improve quality control or face extinction. In the mid-1990s, the percentage of corked bottles I would taste ran between 7 and 10 percent. Today it is under 2 percent, a major improvement.

Parker envisioned wine on the web going mainstream in the US; the rise of southern Italy and Argentina; and a growing consumer appreciation for unoaked white and red wines, among other predictions.

The Internet has become a powerful force in wine—for good and bad, Parker writes. Southern Italy and Argentina, as he predicted, have had huge success, and unoaked wines are more diverse than ever.

Wine Consultant Philippe Melka

Ray Isle In 2008, you called out these winemakers as the world’s most influential wine consultants—who would be on the roster be today?

Andy SmithDenis DubourdieuHelen TurleyMark AubertMichel RollandPaul HobbsPhilippe MelkaStéphane Derenoncourt

Robert Parker It’s interesting that all the people I listed as the most influential wine consultants in 2008 have actually increased their influence—except for Helen Turley and Mark Aubert, who have both stopped consulting to focus on their own estate wines. Andy Smith, Denis Dubourdieu (the famous professor from Bordeaux), Michel Rolland, Paul Hobbs, Philippe Melka and Stéphane Derenoncourt continue to expand their influence as well as the number of their clients, and that’s good news for the wine consumer. Anything associated with their names is of undeniably high, high quality. The only name I would add is Philippe Cambie, whose consulting work in southern France, Spain and Macedonia has left a brilliant legacy of superb wines.

In 2008, Parker called out eight consultants as being the world’s most influential—including Philippe Melka, Denis Dubourdieu and Helen Turley—and predicted that their power would only continue to grow.

All of Parker’s picks continue to extend their influence, with the exceptions of Helen Turley and Mark Aubert, who are both concentrating on their own wines. The new addition to the roster: the Rhône Valley’s Philippe Cambie.

Ray Isle In 2008, you described Argentina, California’s Central and Sonoma Coasts, southern France, Spain and Washington state as the exciting new wine regions. Have they fulfilled their promise?

Robert Parker No one can disagree that all of these regions continue to reach their full potential, offering consumers impressive wines in many different styles, as well as diverse aromas and flavors. All of them remain front and center among the most exciting wines being made in the world today.

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